![]() ![]() ![]() It’s not hard to see, looking back, how ingrained my feeling of desperate sadness was in that book. I think that darkness helped me, in a way – it made me not only ask the questions that formed the basis of One Soul, but it also put me in a place where I felt the only way to break out was to do something outrageously ambitious with the form. I’d experienced an unforeseen and traumatic personal loss and at the same time I was beginning to doubt the creative possibilities of the business of comics. RAY FAWKES: To be perfectly honest, I was in despair at the time. In the spirit of retrospection, The Beat was able to discuss this anniversary year, the process of producing such experimental work, and more with Fawkes’ himself.ĭEAN SIMONS: It has been a decade since the release of One Soul, looking back – what stands out about the period you worked on the book how you were at the time both personally and as a creative and the initial approaches you took to achieve your vision? With the release of One Line and this being the tenth anniversary year of the book that started it all, Oni-Lion Forge are publishing new editions of One Soul (out now) and The People Inside (coming in November). ![]()
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